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Modern dSLRs are technological wonders. They are crammed with components, sensors, LCDs and advanced circuitry. They do everything but talk -- and a few are working on that.
Despite all this technical wizardry, the average dSLR is fairly dumb. It cannot think. It knows nothing about art, composition or lighting effects. It doesn't notice whether you are photographing a beautiful sunset or the local garbage dump. It does not see the difference and would not care if it did.
Yet, far too many dSLR owners allow this non-thinking, non-appreciative hunk of electronics to rule over their photographic endeavors. They believe the camera is smarter than they are.
The more I use my digital cameras, the more I find myself reverting to some sort of manual control. That does not mean I never shoot in a fully automatic mode -- it's just that more and more often I find that my knowledge and experience allows me make better decisions than my camera.
How do you develop this knowledge? It can start gradually, by occasionally experimenting with manual settings. If you always shoot fully automatic, in the program mode, try a few of these suggestions next time you are shooting.
Turn off auto focus.
Auto focus is useful and can be a lifesaver many situations. However, if you always let your dSLR select the focus you may be missing out on some great images. You might prefer part of your subject be out of focus. It's an artistic decision and your camera cannot make that decision for you. In addition, no matter how fast camera makers design their AF systems, pre-focusing will always be faster. So try using manual focus when it is appropriate.
Switch out of the program mode
I am finding less and less use for the program mode when I shoot. Since I understand what type of image I am trying to capture and the camera can't read my mind -- I find I am far better at selecting the best combination of aperture and shutter speed to get what I want. Camera makers have gone to great lengths to add automatic modes like sports, night, portraiture and the like. The idea behind these modes is that you can set your camera to the appropriate setting and forget about it. Sometimes this works, but I find I get better results when I determine the optimal settings. Lately, I have been shooting almost exclusively in aperture priority. I set the f-Stop and the camera selects an appropriate shutter speed. Occasionally I will use shutter priority -- especially if the light is shifty and I want to make sure I don't fall below a certain speed. Sometimes I will use full manual -- when I want to ignore the camera's meter in order to get exactly the shot I have in mind.
Play around with exposure compensation
Most dSLRs offer some form of exposure adjustment, which will allow you to override the actual meter reading by a set number of stops. Much of the time, the default setting will be very close, but if you are attempting a special effect or the light is tricky, exposure compensation can be your best friend. Learn how to use it to your advantage.
Experiment with contrast
If your camera offers contrast adjustment, learn how this can improve your images in varying lighting conditions. If you are shooting outdoors at noon on a bright, cloudless day, normal contrast may make your images appear awful. See if toning down the contrast will soften the shadows and eliminate hot spots. If the light is weak and dull, can you improve the image by cranking in some additional contrast?
Vary your flash settings
It's true. camera makers have created some wonderfully intelligent flash units. Even the built-in flashes can produce stunning results under the right conditions. But there are plenty of times when the flash should be overruled. Start with flash compensation. Try more or less compensation to see how the light changes. Experiment with different shutter speeds to see how that affects the tone of the background. If you have a separate flash unit, get a cord and try shooting with the flash off the camera. Experiment, experiment, experiment. You'll get some duds, but you will also get some wonderful images. And you will never allow your camera to dictate how your flash should be used in the future.
I urge you to try all of these techniques when you get the chance. You might not use all these techniques every time, but make it a point to try at least one of these each time you head out with your dSLR. If you do, and you ware willing to learn from your successes and your failures, you will quickly see your photographic IQ surpassing that of your camera. When you are smarter than your camera, you will be well on the way to capturing some outstanding images.
This article originally appeared in Alphatracks; the weblog for Sony and Minolta SLR enthusiasts. You can read more articles by Tom Bonner at http://alphatracks.com
Tom Bonner is the author of the Sony Alpha DSLR-A300/A350 Digital Field Guide, published by Wiley Publishing. A photographer for more than three decades, he offers photography and web design services to clients in the Charlotte, NC area.
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